I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
Robert RedfordRead
Whereas money is a means to an end for a filmmaker, to the corporate mind money is the end. Right now, I think independent film is very confused, because there's excess pressure in the marketplace for entertainment to pay off.
Interpretation
The quote highlights the difference in perspectives on money between independent filmmakers and corporate entities.
Robert Redford's quote underscores the divergence in motivations between independent filmmakers and corporate minds in the film industry. For filmmakers, money serves merely as a tool to achieve artistic goals, while for corporations, it is the primary objective. He expresses concern that this monetary focus creates confusion and pressure in independent cinema, pushing it away from its creative roots.
In practice
In a film workshop discussing the pressures independent filmmakers face in today's market.
I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
People say I've gone against Hollywood, but I've tried to be independent within Hollywood, tried to be my own person.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
For me, the Sundance Institute is just an extension of something I believed in, which is creating a mechanism for new voices to have a place to develop and be heard.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
Be careful of success; it has a dark side.
Feudal societies don't create great cinema; we have great theatre. The egalitarian societies create great cinema. The Americans, the French. Because equality is sort of what the cinema deals with. It deals with stories which don't fall into 'Everybody in their place and who's who,' and all that. But the theatre's full of that.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
I don't know what gives me more pleasure: watching my story unfold or going in and watching a room full of black people talking for me and writing words for black people.
What seems to me the highest and the most difficult achievement of Art is not to make us laugh or cry, or to rouse our lust or our anger, but to do as nature does-that is, fill us with wonderment.
For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.
Writing poetry is what I am. I wouldnβt know what else to be.
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