Wherever I go, I just try to show normal life. If the work helps to dispel stereotypes, it's because I seek not to portray the extremities of a place, but the vast majority of people who are quite normal and are having normal life experiences.
Interpretation
The quote emphasizes the importance of portraying everyday life to challenge stereotypes.
Brandon Stanton expresses his intention to showcase the universal nature of human experiences through his work. Instead of focusing on extreme cases or sensational stories, he strives to highlight the ordinary lives of people, illustrating that the majority of individuals lead regular, relatable lives, which can help break down preconceived notions and stereotypes about different communities.
In practice
In a presentation about the impact of photography on societal perceptions.
When you are interviewing refugees, each person you talk to has a different story that could come from a horror movie. So many people talk about seeing their families get murdered before their eyes. Then I go to Central Park, and people are talking about their third divorce and paying tuition.
I think that even though some of the things on 'Humans of New York' are kind of very personal and very revealing, I think the discomfort with sharing that tends to be overwritten by the appreciation of being able to distill the experience of your life into a story and share it with other people.
I always say that my favorite people to interview are the people who are at the beginning and the ends of their lives because they have two alternate perspectives of the world, and neither of them are less profound.
It's a very immersive and intense form of travel to walk around with an interpreter and stop random people on the street and ask them about their lives.
Somebody's willingness to let me photograph them, and willingness to tell me a story, has nothing to do with the words I say. It all has to do with the energy I'm giving off, which hopefully is very genuine, very interested energy. It's just two people having a conversation in the street. I think that's where genuine content comes from.
When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
The truer the facts the better the fiction.
All my stories are webs of style and none seems at first blush to contain much kinetic matter.
An artist has no home in Europe except in Paris.
Mendelssohn I consider the first musician of the day; I doff my hat to him as my superior. He plays with everything, especially with the grouping of the instruments in the orchestra, but with such ease, delicacy and art, with such mastery throughout.
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