No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Joseph CampbellRead
Wherever the poetry of myth is interpreted as biography, history, or science, it is killed.
Interpretation
Myth should be appreciated for its artistic and symbolic value, rather than reduced to mere factual accounts.
Joseph Campbell asserts that when myths, which hold deep poetic and symbolic truths, are strictly interpreted as historical biographies or scientific explanations, their intrinsic meaning is lost. Myths serve a vital role in understanding the human experience, and reducing them to mere facts diminishes their richness and transformative power.
In practice
In a lecture about the importance of storytelling, one might quote Campbell to emphasize the value of myths.
No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.
Christianity isn’t moving people’s lives today. What’s moving people’s lives is the stock market and the baseball scores. What are people excited about? It’s a totally materialistic level that has taken over the world. There isn’t even an ideal that anybody’s fighting for.
Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.
The demon that you can swallow gives you it’s power, and the greater life’s pain, the greater life’s reply.
And if there was no Fall, what then of the need for Redemption? What god was offended and by whom? Some especially touchy cave bear whose skull had been improperly enshrined?
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
Great buildings, like great mountains, are the work of centuries.
All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
No author can create a character out of nothing. He must have a model to give him a starting point; but then his imagination goes to work, he builds him up, adding a trait here, a trait there, which his model did not possess.
Botox should be banned for actors, as steroids are for sportsmen. Acting is all about expression; why would you want to iron out a frown?
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