That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
Whether you come from heaven or hell, what does it matter, O Beauty!
Interpretation
This quote suggests that the origins of beauty are irrelevant to its significance and impact.
In this quote, Charles Baudelaire emphasizes that beauty transcends its origins, whether divine or infernal. The focus is on the absolute value and transformative power of beauty itself, which exists independently of the conditions that produce it. This challenges conventional perceptions of beauty as linked to morality or origin, inviting a deeper appreciation for its presence in the world.
In practice
In a discussion about art history, you might use this quote to illustrate that beauty can be appreciated regardless of its background.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
I am a poet who composes what life proses, and who proses what life composes.
The artists we love, they put their fingerprint on your imagination, and on your heart and your soul.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
The United States themselves are essentially the greatest poem.
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