A dream has power to poison sleep.
Percy Bysshe ShelleyRead
O wild West Wind, thou breath of Autumn's being. Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing.
Interpretation
The quote personifies the West Wind as a powerful force of nature that drives away dead leaves, signifying change and the transition of seasons.
In this quote, Percy Bysshe Shelley uses vivid imagery to express the tumultuous and transformative power of the West Wind, associating it with the shift from life to death as represented by the falling leaves. The wind is portrayed as both a creator and destructer, highlighting its role in the natural cycle of life, death, and renewal, emphasizing the beauty and inevitability of change in nature.
In practice
This quote can be shared during a nature walk to highlight the beauty of autumn.
A dream has power to poison sleep.
Senseless is the breast and cold _x000D_ _x000D_ Which relenting love would fold;_x000D_ _x000D_ Bloodless are the veins and chill _x000D_ _x000D_ Which the pulse of pain did fill; _x000D_ _x000D_ Every little living nerve _x000D_ _x000D_ That from bitter words did swerve _x000D_ _x000D_ Round the tortur'd lips and brow, _x000D_ _x000D_ Are like sapless leaflets now _x000D_ _x000D_ Frozen upon December's bough.
A sensitive plant in a garden grew,_x000D_ _x000D_ And the young winds fed it with silver dew,_x000D_ _x000D_ And it opened its fan_x000D_ _x000D_ like leaves to the light,_x000D_ _x000D_ and closed them beneath the kisses of night.
I am the daughter of Earth and Water, And the nursling of the Sky; I pass through the pores of the ocean and shores; I change, but I cannot die. For after the rain when with never a stain The pavilion of Heaven is bare, And the winds and sunbeams with their convex gleams Build up the blue dome of air, I silently laugh at my own cenotaph, And out of the caverns of rain, Like a child from the womb, like a ghost from the tomb, I arise and unbuild it again.
O, wind, if winter comes, can spring be far behind?
Ah, woe is me! Winter is come and gone. But grief returns with the revolving year.
The most irrevocable of [natures] laws says that a species cannot occupy a niche that appropriates all resources--there has to be some sharing. Any species that ignores this law winds up destroying its community to support its own expansion.
Her concern with landscapes and living creatures was passionate. This concern, feebly called, "the love of nature" seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her.
A lake is a landscape's most beautiful and expressive feature. It is Earth's eye; looking into which the beholder measures the depth of his own nature.
Twenty-five years ago people could be excused for not knowing much, or doing much, about climate change. Today we have no excuse. No more can it be dismissed as science fiction; we are already feeling the effects.
To a naturalist nothing is indifferent; the humble moss that creeps upon the stone is equally interesting as the lofty pine which so beautifully adorns the valley or the mountain: but to a naturalist who is reading in the face of the rocks the annals of a former world, the mossy covering which obstructs his view, and renders indistinguishable the different species of stone, is no less than a serious subject of regret.
O Winter! bar thine adamantine doors: The north is thine; there hast thou build thy dark, Deep-founded habitation. Shake not thy roofs, Nor bend thy pillars with thine iron car.
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