My father died beside trees on iron rails... He had 77 dollars on him at the time, and we used the money for Thai takeout because, as my friend Julie says about times like this, 'You still have to eat.'
I stare out the window and reflect on the similarity between writing and saving a life and the inevitable failure of one's imagination and one's goals and ambitions to create a character or a life worth saving.
Interpretation
What this quote means
This quote explores the parallels between writing and the profound act of saving a life, emphasizing the struggle of imagination against the desire to create something meaningful.
Miriam Toews reflects on the creative process of writing, likening it to the heroic act of saving a life. She highlights the challenges that writers face in crafting characters and narratives that resonate deeply, suggesting that both pursuits involve a keen understanding of complexity and a recognition of the limitations of one's imagination and ambitions. This introspection reveals the vulnerability inherent in artistic expression and the desire for one's creations to matter.
Themes
In practice
Example use cases
In a creative writing workshop to inspire students.
More from Miriam Toews
All quotes →When a person becomes a legend, the very thing that makes them human and knowable is killed off, so it's like being killed over and over and over again, for all eternity.
There are people who are just suicidal, regardless. They are built to self-destruct. It seems, in my family, like a virus that's resistant to any kind of help or care or medication.
A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.
Writing helps me to create order out of chaos and make sense of things. It helps me to understand what I've experienced, what I've felt and seen, so it becomes a little easier to handle. On the other hand, I don't want it to be just a cathartic experience, an outpouring of grief or whatever it is.
I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.
Similar quotes
One wants one's work to be the world, but of course it's never the world. The work is in the world; it never contains the whole thing.
I write on big yellow legal pads - ideas in outline form when I'm doing stand-up and stuff. It's vivid that way. I can't type it into an iPad - I think that would put a filter into the process.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
I try to make my music interesting to me first, then hopefully other people will find it interesting, too.
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
Every normal human being (and not merely the 'artist') has an inexhaustible store of buried images in his subconscious, it is merely a matter of courage or liberating procedures ... of voyages into the unconscious, to bring pure and unadulterated found objects to light.