I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
Tadao AndoRead
Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
Interpretation
The essence of Modernist architecture is a balance between logical design and the emotional spirit of the space.
Tadao Ando emphasizes that Modernist architecture is not merely about logical principles; it also requires a deep emotional connection or spirit. Without this spirit, the true essence and experience of Modernist architecture cannot be realized, so Ando seeks to harmonize the logical and emotional aspects through his architectural designs.
In practice
In a presentation about architectural design philosophy, I might say, 'As Tadao Ando suggests, without the spirit, Modernist architecture cannot fully exist.'
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
All architecture has a public nature, I believe, so I would like to make a public space.
I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing.
In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
Poetry is for me Eucharistic. You take someone else's suffering into your body, their passion comes into your body, and in doing that you commune, you take communion, you make a community with others.
To a degree, the Greek and Roman mythological heroes are just the first superheroes. They appeal to children for much the same reason. These gods and heroes may have powers, but they get angry and they do the wrong thing. They are human too.
The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.
You don't have to make something in order to retain your identity as an artist or a writer or a creative person. A lot of people think they have to be producing in order to maintain that identity.
I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around.
To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this.
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