I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
The words of the prophets are written on the subway walls and tenements halls and whispered in the sounds of silence.
Interpretation
What this quote means
The quote suggests that profound wisdom is found in everyday, often overlooked places and experiences.
In this quote by Paul Simon, the 'words of the prophets' symbolize deep truths and insights that are often expressed in ordinary, neglected spaces such as subway walls and tenement halls. The phrase 'whispered in the sounds of silence' implies that these truths are not always loud or obvious; instead, they require quiet reflection and awareness to be heard and understood, encouraging us to find meaning in the mundane and to listen to the unspoken messages around us.
Themes
In practice
Example use cases
During a lecture on finding inspiration in everyday life, this quote could illustrate that wisdom can come from unexpected places.
More from Paul Simon
All quotes βI sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Who's gonna love you when your looks are gone?
I don't believe what the papers are saying They're just out to capture my dime, Exaggerating this, exaggerating that.
Improvisation is too good to leave to chance.
Similar quotes
One day some as yet unborn scholar will recognize in the clock the machine that has tamed the wilds.
There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind.
I wept heartily over this poor little deceased soul. It was the first sentient being I had ever killed. I was now a killer. I was now as guilty as Cain. I was sixteen years old, a harmless boy, bookish and religious, and now I had blood on my hands. It's a terrible burden to carry. All sentient life is sacred.
I imagine the earth when I am no more: Women's dresses, dewy lilacs, a song in the valley. Yet the books will be there on the shelves, well born, Derived from people, but also from radiance, heights.
It bothered me that whatever was waiting wasn't waiting for me
All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.