Either you're growing or you're decaying; there's no middle ground. If you're standing still, you're decaying.
Alan ArkinRead
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did
Interpretation
The quote reflects on the way one observes and is affected by the actions of others.
In this quote, Alan Arkin shares his introspective journey as a child, where he began to notice how certain actions of people around him evoked strong emotional responses while others did not. This observation led him to a deeper understanding of human behavior and his own emotional landscape, illustrating the innate curiosity of humans to analyze their feelings and the motivations behind others' actions.
In practice
In a motivational speech about emotional intelligence, you might quote this to illustrate how self-awareness enhances our understanding of others.
Either you're growing or you're decaying; there's no middle ground. If you're standing still, you're decaying.
If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
Everybody's career has ups and downs. I like to take chances; I don't like to stand still. And I don't give a damn what the market is interested in; I want to try things.
I don't believe in competitions between artists. This is insane. Who has the authority to say someone is better?
Every physicist knows that things connect with each other. To isolate things is not the way the universe works - winning best actor is arbitrary.
I love working if it's with people who are capable of having a good time. People with a little bit of enjoyment of what they do. If it's enormous pressure, and people feel that their lives are at stake, then it's agony. So I try to pick projects where I feel like I'm going to avoid those traps.
But would you kindly ponder this question: What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light? You're stupid.
Even if we accept, as the basic tenet of true democracy, that one moron is equal to one genius, is it necessary to go a further step and hold that two morons are better than one genius?
What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny little part of it at any given instant.
I want to be black, to know black, to luxuriate in whatever I might be calling blackness at any particular time, but to do so in order to come out on the other side, to experience a humanity that is neither colorless nor reducible to color.
The chief misery of the decline of the faculties, and a main cause of the irritability that often goes with it, is evidently the isolation, the lack of customary appreciation and influence, which only the rarest tact and thoughtfulness on the part of others can alleviate.
I'm sitting in my home office wearing a bathrobe. The same way I'm not going to start wearing ties, I'm also not going to buy into the fake politeness, the lying, the office politics and backstabbing, the passive aggressiveness, and the buzzwords.
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