Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
Elizabeth Barrett BrowningRead
I would build a cloudy House For my thoughts to live in; When for earth too fancy-loose And too low for Heaven! Hush! I talk my dream aloud - I build it bright to see, - I build it on the moonlit cloud, To which I looked with thee.
Interpretation
The quote expresses a desire to create an imaginative and beautiful space for thoughts that transcend earthly limitations.
In this quote, Elizabeth Barrett Browning conveys a longing to construct a figurative 'house' in the clouds for her thoughts, suggesting that her imagination seeks a refuge above the mundane realities of life. This metaphorical abode represents a blend of dreams, creativity, and deep connection with another person, emphasizing the beauty and elevation found in shared aspirations and fantasies.
In practice
This quote can inspire a creative writing workshop focusing on imaginative themes.
Women know the way to rear up children (to be just). They know a simple, merry, tender knack of tying sashes, fitting baby-shoes, and stringing pretty words that make no sense. And kissing full sense into empty words.
She has seen the mystery hid Under Egypt's pyramid: By those eyelids pale and close Now she knows what Rhamses knows.
First time he kissed me, he but only kissed The fingers of this hand wherewith I write; And, ever since, it grew more clean and white.
Earth's crammed with heaven, And every common bush afire with God: But only he who sees takes off his shoes.
Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.
Love me sweet With all thou art Feeling, thinking, seeing; Love me in the Lightest part, Love me in full Being.
I think having land and not ruining it is the most beautiful art that anybody could ever want to own.
I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.
All great composers of the past spent most of their time studying. Feeling alone won't do the job. A man also needs technique.
If you know exactly what you're going to do, what's the good in doing _x000D_ it?
People often called us perfectionists, but we were not looking for perfection. We were looking for some kind of magic in the music.
For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.
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