I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
Harold PinterRead
As a writer you're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays-to allow the thing to be free but still hold the final leash.
Interpretation
This quote describes the delicate balance of creativity and control that a writer must maintain.
Harold Pinter's quote illustrates the dual nature of the writing process, where a writer allows their imagination to explore freely while also retaining the authority to guide the narrative. It emphasizes the thrill of creativity, akin to letting a dog run wild, and the joy of discovering unexpected outcomes in the storytelling while ensuring that the writer can still direct the course of the narrative when needed.
In practice
This quote could be shared at a writer's workshop to inspire attendees to embrace their creativity.
I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
I never think of myself as wise. I think of myself as possessing a critical intelligence which I intend to allow to operate.
It's so easy for propaganda to work, and dissent to be mocked.
There are places in my heart...where no living soul...has...or can ever...trespass.
Acting should be bigger than life. Scripts should be bigger than life. It should all be bigger than life.
You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world
The drama's altar isn't on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it's roof, now, the commonplace crow caws candidly.
I'd started going to acting classes at 14, played 'Medea' at 15 and really wanted to be a classical actress.
All you have to do is play one note. But it needs to be the right note.
Design is a way of life, a point of view. It involves the whole complex of visual communications: talent, creative ability, manual skill, and technical knowledge. Aesthetics and economics, technology and psychology are intrinsically related to the process.
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