Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Stephen KingRead
Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.
Interpretation
This quote emphasizes the importance of personal experiences and memories in the creative process of writing.
Stephen King highlights that writers draw heavily from their personal experiences, especially painful ones, to create compelling stories. He suggests that the essence of a writer lies not just in talent but in the ability to remember and narrate their life's scars, which form the foundation of authentic storytelling and artistic expression.
In practice
This quote could be shared during a creative writing workshop to inspire participants to draw from their personal experiences.
Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.
Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.
Description begins in the writer’s imagination, but should finish in the reader’s.
That's the day's business. Thinking. Thinking and isolation, because it doesn't matter if you pass the time of day with someone or not; in the end, you're alone. He seemed to have put in as many miles in his brain as he had with his feet. The thoughts kept coming and there was no way to deny them.
Late last night and the night before, tommyknockers, tommyknockers knocking on my door. I wanna go out, don't know if I can 'cuz I'm so afraid of the tommyknocker man.
What’s so incredibly amusing with photography is that while seemingly an art of the surface, it catches things I haven’t even noticed. And it pains me not to have seen things in all their depth.
It has always seemed to me that so long as you produce your dramatic effect, accuracy of detail matters little. I have never striven for it and I have made some bad mistakes in consequence. What matter if I hold my readers?
Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.
What is real for me are the illusions I create with my paintings. Everything else is quicksand.
The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.
If there were only one truth, you couldn't paint a hundred canvases on the same theme.
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