I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion.
Interpretation
The quote reflects on the awareness of mortality and its impact on compassion.
In this quote, Charlie Kaufman expresses the common childhood fear of death and the deep understanding that comes with recognizing our place in the continuum of life. He suggests that while young people may grasp the concept of aging abstractly, true awareness of mortality can foster greater compassion as it connects us to the shared human experience of aging and inevitably facing death.
In practice
In a graduation speech emphasizing the importance of being present and kind, this quote could serve to highlight the fleeting nature of youth.
When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?
I think if I've worked anything through with screenwriting it's that I'm not going to be able to work anything through.
The world needs you. It doesn't need you at a party having read a book about how to appear smart at parties - these books exist, and they're tempting - but resist falling into that trap. The world needs you at the party starting real conversations, saying, 'I don't know,' and being kind.
There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.
We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.
It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
The citizens of a city are not guilty of the crimes committed in their city; but they are guilty as participants in the destiny of [humanity] as a whole and in the destiny of their city in particular; for their acts in which freedom was united with destiny have contributed to the destiny in which they participate. They are guilty, not of committing the crimes of which their group is accused, but of contributing to the destiny in which these crimes happened.
I tell you what's really ridiculous--going into a bookstore and there's all these books about yourself. In a way, it feels like you're already dead.
All the stories are fictions. What matters is which fiction you believe.
The measure of charity may be taken from the want of desires. As desires diminish in the soul, charity increases in it; and when it no longer feels any desire, then it possesses perfect charity.
In many parts of the world, chaining of people with mental illnesses is not uncommon, nor is seeing people walking around in clearly an unwell state, half naked, and no one takes any notice of them. It is tragic. There is a basic human right, which is not about just healthcare, but it is about the right to life with dignity, a right to citizenship.
Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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