As a young person, and I know it’s hard to believe that I was shy, but you could take your camera, and it would take you to places: it was like having a friend, like having someone to go out with and look at the world. I would do things with a camera I wouldn’t do normally if I was just by myself.
Interpretation
A camera can empower shy individuals to explore and engage with the world around them.
Annie Leibovitz reflects on her experience of using a camera as a tool for overcoming shyness. She emphasizes how photography allowed her to venture out, interact with her surroundings, and experience life in a way she might not have been able to if she were alone. The act of capturing images made her feel accompanied, highlighting the profound impact that creative expression can have on personal growth and self-discovery.
In practice
Use this quote in a photography workshop to encourage shy participants to express themselves.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
I personally made a decision many years ago that I wanted to crawl into portraiture because it had a lot of latitude.
In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.
The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it.
A lot can be told from what happens in between the main moments.
Surrealism is not a poetry but a poetics, and even more, and more decisively, a world vision.
Autobiography should be more stringent. It should adhere more to the standards of journalism - assuming that journalism has the truth. The memoir gives you more scope, is more poetic, and allows you to play around with your own life.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.
No one will ever know what 'In Cold Blood' took out of me. It scraped me right down to the marrow of my bones. It nearly killed me. I think, in a way, it did kill me.
Hence it is from the representation of things spoken by means of posture and gesture that the whole of the art of dance has been elaborated.
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