When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
Interpretation
Worrying too much can negatively affect creative work, while meticulous planning might lead to lifeless outcomes.
Abbas Kiarostami's quote suggests that anxiety and concern about the creative process can infuse energy and authenticity into a filmmaker's work, whereas an overly meticulous and rigid planning approach may result in a final product that lacks emotional depth and connection. It underscores the balance between creative spontaneity and systematic structure, implying that genuine passion and concern can elevate artistic expression.
In practice
Using this quote in a film school seminar to discuss the importance of emotional investment in creative projects.
Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
Good cinema is what we can believe, and bad cinema is what we can't believe.
As film-makers, it is very important for us to find common ground between cultures, and maybe that's less the case for politicians who benefit more from finding the conflicts and differences between us.
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
The calling of art is to extract us from our daily reality, to bring us to a hidden truth that's difficult to access - to a level that's not material but spiritual.
You have to go out there and give a piece of yourself -- your life, your soul. And you better give the audience everything you can -- physically, emotionally, musically. Then maybe they'll accept you and give you a standing ovation at the end.
I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.
Literature is always trying to show other parts of this immense universe in which we live. It's endless. I'm sure there will be other writers who will discover new worlds.
Google the name Prometheus, and see how often it has been given to innovations in many different fields, notably science, medicine and space exploration. The fire he stole can be seen, too, as the spark generating all artistic creativity.
The body cannot lie. You cannot be somebody else onstage, no matter how good of an actor or dancer or singer you are. When you open your arms, move your finger, the audience knows who you are, you know.
In the beginning, the cubists broke up form without even knowing they were doing it. Probably the compulsion to show multiple sides of an object forced us to break the object up - or, even better, to project a panorama that unfolded different facets of the same object.
Subscribe for the occasional hand-picked quote. No noise.