Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
I think you’re beautiful, the only beautiful person I’ve ever seen. I love your voice and everything to do with you, down to your clothes or the room you are sitting in. I adore you.
Interpretation
The quote expresses deep affection and admiration for someone, highlighting their beauty in various aspects.
E. M. Forster's quote captures the essence of profound love and admiration, illustrating a holistic appreciation for a person. It emphasizes that beauty is not just in physical appearance but includes voice, personality, and the environment surrounding the beloved, creating a sense of complete adoration.
In practice
In a romantic speech or letter.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
Remember. The way you make love is the way God will be with you.
In contrast to a dream a reverie cannot be recounted. To be communicated, it must be written, written with emotion and taste, being relived all the more strongly because it is being written down. Here, we are touching the realm of written love. It is going out of fashion, but the benefits remain. There are still souls for whom love is the contact of two poetries, the fusion of two reveries.
We fall in love when our imagination projects nonexistent perfection upon another person. One day, the fantasy evaporates and with it, love dies.
We had fed the heart on fantasies, The heart's grown brutal from the fare, More substance in our enmities Than in our love
Where I say that He abideth sorrowfully and moaning, it meaneth all the true feeling that we have in our self, in contrition and compassion, and all sorrowing and moaning that we are not oned with our Lord. And all such that is speedful, it is Christ in us. And though some of us feel it seldom, it passeth never from Christ till what time He hath brought us out of all our woe. For love suffereth never to be without pity.
We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.
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