A man of active and resilient mind outwears his friendships just as certainly as he outwears his love affairs, his politics and his epistemology.
H. L. MenckenRead
Or about how when you're a child, to stop you from following the crowd you're assaulted with the line "If everyone jumped off a bridge, would you?" but when you're an adult and to be different is suddenly a crime, people seem to be saying, "Hey. Everyone else is jumping off a bridge. Why aren't you?
Interpretation
The quote critiques the contradictory societal pressures regarding conformity and individuality across different life stages.
In this thought-provoking quote, Steve Toltz highlights the irony of how societal expectations shift from discouraging conformity in childhood to promoting it in adulthood. The metaphor of jumping off a bridge serves to illustrate the inherent tension between the desire to fit in and the value of standing out, ultimately questioning the standards by which we navigate social behavior.
In practice
During a speech about innovation in the workplace, one could say this quote to inspire employees to think outside the box.
A man of active and resilient mind outwears his friendships just as certainly as he outwears his love affairs, his politics and his epistemology.
It is the voice of the Church that is heard in singing together. It is not you that sings, it is the Church that is singing, and you, as a member of the Church, may share in its song.
When we come to judge others it is not by ourselves as we really are that we judge them, but by an image that we have formed of ourselves from which we have left out everything that offends our vanity or would discredit us in the eyes of the world.
Grief teaches the steadiest minds to waver.
It is perfectly possible to live a very moral life without a belief in God, and I think it's perfectly possible to live a life peppered with ill-doing and believe in God.
I like to borrow a metaphor from the great poet and mystic Rumi who talks about living like a drawing compass. One leg of the compass is static. It is fixed and rooted in a certain spot. Meanwhile, the other leg draws a huge wide circle around the first one, constantly moving. Just like that, one part of my writing is based in Istanbul. It has strong local roots. Yet at the same time the other part travels the whole wide world, feeling connected to several cities, cultures, and peoples.
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