I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration.
Colson WhiteheadRead
I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
Interpretation
The author reflects on their realization of being overly critical about the representation of zombies in literature.
In this quote, Colson Whitehead expresses a moment of self-awareness as he examines his own analytical approach to the zombie genre. He identifies himself as a 'zombie pedant,' suggesting that he carefully deliberates on which elements of zombie lore to include or disregard in his writing, revealing the intricate relationship between creativity and critique in the realm of genre fiction.
In practice
In a discussion about the influence of zombie films, this quote can illustrate the thought process behind creative decisions.
I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration.
In keeping with my family's affection for doomed product lines and hexed formats, we purchased a Betamax. The year before, we'd bought a TRS-80 instead of an Apple II, and in due course we'd unbox Mattel's Intellivision, instead of Atari's legendary gizmo. This was good training for a writer, for the sooner you accept the fact that you are a deluded idiot who is always out of step with reality the better off you will be.
Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
Part of being in New York is being able to brag about what used to be there.
In improvisation, there are no mistakes.
Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)
Too many pieces of music finish too long after the end.
Then you develop a kind of critical sense about what you write. You can tell when something is good, but it would be just as good in somebody else's work too. You want to hold out for those things only you can say.
Architecture should speak of its time and place, but yearn for timelessness.
Glamour doesnβt just happen, people donβt wake up in the morning glamorous.
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