I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Interpretation
This quote highlights the importance of slowing down to appreciate beauty that may easily go unnoticed.
Georgia O'Keeffe's quote reflects on the often overlooked small details of life and art, suggesting that in a fast-paced world, we tend to miss exquisite moments and creations. The still-life painting serves as a metaphor for the beauty that requires time and reflection to truly appreciate, prompting us to pause and recognize the small wonders around us.
In practice
During an art class, to remind students to appreciate the details in their paintings.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
Singing has always seemed to me the most perfect means of expression.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
Nothing is less real than realism. Details are confusing. It is only by selection, by elimination, by emphasis, that we get at the real meaning of things.
Art is long, and time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
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You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
The books I like to read the most feel like they've been written by somebody who had to write them or go crazy. They had to get them out of their heads. I like that kind of urgency.
The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.
Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it.
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