I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
Interpretation
Good painting transcends literal representation and conveys deeper meaning through abstraction.
Georgia O'Keeffe emphasizes that the value of painting lies not merely in the accurate depiction of natural forms, like hills or trees, but in how effectively colors and lines are arranged to express emotions, ideas, or messages. This perspective invites viewers to appreciate the abstract qualities of art that provoke thought and evoke feelings beyond mere representation.
In practice
This quote can be used in an art class to inspire students to think beyond the surface of their work.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Singing has always seemed to me the most perfect means of expression.
Nothing is less real than realism. Details are confusing. It is only by selection, by elimination, by emphasis, that we get at the real meaning of things.
Favorite poems are like favorite children. We definitely have them but we never tell as the others would have their feelings hurt.
To draw a tree, to pay such close attention to every aspect of a tree, is an act of reverence not only toward the tree, and toward the earth itself, but also our human connection to it. This is one of the magical things about drawing - it gives us almost visionary moments of connectedness.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery.
And then he danced,-all foreigners excel the serious Angels in the eloquence of pantomime;-he danced, I say, right well, with emphasis, and a'so with good sense-a thing in footing indispensable: he danced without theatrical pretence, not like a ballet-master in the van of his drill'd nymphs, but like a gentleman.
No poet, no artist of any art, has his complete meaning alone.
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