This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
Jessica ChastainRead
I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
Interpretation
The quote highlights the gender disparity in film criticism and its impact on storytelling.
Jessica Chastain emphasizes the importance of diverse perspectives in art, particularly in film, by pointing out that a predominantly male critique can hinder the representation of stories from a feminine angle. This lack of balance not only affects the creation of narratives that resonate with women but also limits the richness of storytelling in the film industry.
In practice
In a panel discussion on film diversity, this quote can illustrate the need for inclusion.
This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
I just want to see more women in film and behind the camera. I'm tired of seeing movies from one perspective.
We know in our society, women are valued for their sexual desirability and not necessarily for what they have to say.
It's tough, acting. You have to walk two lines of a tightrope. There's the all-consuming fear of failure: I'm about to fall flat on my face. There's that and there's also confidence - you have to be confident in order to try things - and they fight each other all the time.
I'm not taking jobs anymore where I'm getting paid a quarter of what the male co-star is being paid. I'm not allowing that in my life.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
It's always appealing to play a character that has to overcome himself as well as an obstacle. It makes the drama so much deeper.
The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
It's no accident that my first novel was called Americana. This was a private declaration of independence, a statement of my intention to use the whole picture, the whole culture.
I look back on those early days in the theater like the beginning of a love affair, when you're totally in love with the work, and that's all there is.
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