Timeless, so age don't count in the booth _x000D_ When your flow stay submerged in the fountain of youth
RakimRead
I start to think, and then I sink_x000D_ _x000D_ Into the paper like I was ink_x000D_ _x000D_ When I'm writing, I'm trapped in between the lines_x000D_ _x000D_ I escape when I finish the rhyme.
Interpretation
This quote explores the deep connection between the writer and the act of writing, representing both a struggle and a release.
Rakim captures the essence of the writing process as an immersive experience that can feel confining, likening it to being trapped within the lines of the paper. This juxtaposition of feeling trapped and eventually finding freedom upon completing the work highlights the emotional journey of creativity, where everything comes alive through the written word, and liberation is found in artistic expression.
In practice
Using this quote in a creative writing workshop to inspire students about the writing process.
Timeless, so age don't count in the booth _x000D_ When your flow stay submerged in the fountain of youth
It's been a long time...I shouldn't have left you_x000D_ _x000D_ Without a strong rhyme to step to.
When you look at hip-hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene.
I started studying in '85 and got knowledge of self and started spitting. What was going on was taking the understanding of what I was reading and applying it with my life and applying it with my rhymes.
Take 7 emcees put em in a line_x000D_ _x000D_ And add 7 more brothers who think they can rhyme_x000D_ _x000D_ It'll take 7 more before I go for mine_x000D_ _x000D_ And that's 21 emcees ate up at the same time.
Feed me hip-hop and I start tremblin'
That is the mystery about writing: it comes out of afflictions, out of the gouged times, when the heart is cut open.
In many ways, writing is the act of saying 'I,' of imposing oneself upon other people, of saying, 'Listen to me, see it my way, change your mind.' It's an aggressive, even a hostile act.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
For me, the 'Three Stoppages' was a first gesture liberating me from the past.
If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.
works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.
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