She knows, now, absolutely, hearing the white noise that is London, that Damien's theory of jet lag is correct: that her mortal soul is leagues behind her, being reeled in on some ghostly umbilical down the vanished wake of the plane that brought her here, hundreds of thousands of feet above the Atlantic. Souls can't move that quickly, and are left behind, and must be awaited, upon arrival, like lost luggage.
Interpretation
This quote reflects on the disconnection between the physical body and the essence of the self during travel.
William Gibson's quote captures the profound experience of jet lag as not just a physical state but as a philosophical observation about the nature of the soul's journey. It suggests that while our bodies may arrive at a destination quickly, our inner selves—our 'mortal souls'—lag behind, struggling to keep pace with the rapid changes in time and space. The metaphor likens the wandering soul to lost luggage, emphasizing how our deeper identity can feel displaced and requires time to catch up with our physical presence.
In practice
This quote can be used in a speech about the challenges of travel and how it affects our sense of self.
If you've read a lot of vintage science fiction, as I have at one time or another in my life, you can't help but realise how wrong we get it. I have gotten it wrong more times than I've gotten it right. But I knew that when I started; I knew that before I wrote a word of science fiction.
I think I'd probably tell you that it's easier to desire and pursue the attention of tens of millions of total strangers than it is to accept the love and loyalty of the people closest to us.
As a writer of fiction who deals with technology, I necessarily deal with the history of technology and the history of technologically induced social change. I roam up and down it in a kind of special way because I roam down it into history, which is invariably itself a speculative affair.
His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.
I don't have to write about the future. For most people, the present is enough like the future to be pretty scary.
I think that technologies are morally neutral until we apply them. It's only when we use them for good or for evil that they become good or evil.
Laws are partly formed for the sake of good men, in order to instruct them how they may live on friendly terms with one another, and partly for the sake of those who refuse to be instructed, whose spirit cannot be subdued, or softened, or hindered from plunging into evil.
People may assume 'The Act of Killing' is a historical documentary about what happened in 1965. But our purpose was to expose a present-day regime of fear for what it is.
The court is the bureaucracy of the law. If you bureaucratise popular justice then you give it the form of a court.
Death is not the opposite of life, but a part of it.
I have tried to lift France out of the mud. But she will return to her errors and vomitings. I cannot prevent the French from being French.
Belief is with them mechanical, voluntary: they believe what they are paid for - they swear to that which turns to account. Do you suppose, that after years spent in this manner, they have any feeling left answering to the difference between truth and falsehood?
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