If you're playing a poker game and you look around the table and and can't tell who the sucker is, it's you.
Paul NewmanRead
To be an actor you have to be a child.
Interpretation
Being an actor requires a sense of playfulness and innocence found in childhood.
Paul Newman's quote suggests that the essence of acting involves tapping into the unfiltered emotions and creativity of a child's mind. To effectively portray characters, actors must embody a sense of wonder, spontaneity, and authenticity that children naturally possess, allowing them to convincingly connect with their roles and the audience.
In practice
In a acting workshop, one might reference this quote to emphasize the importance of embracing spontaneity.
If you're playing a poker game and you look around the table and and can't tell who the sucker is, it's you.
Twenty-five years ago I couldn`t walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don`t ask me about my movies and they don`t ask me about my salad dressing because they don`t know who I am. Am I happy about this? You bet.
A dollar won is twice as sweet as a dollar earned.
I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking.
Dreams without movement are delusions, escapes, kidβs play. You have to put your feet into your dreams if theyβre ever going to be reality. The dreamers we know and love today are the ones who worked the hardest
I respect generosity in people, and I respect it in companies too, I don't look at it as philanthropy; I see it as an investment in the community.
I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
The complete novelist would come into the world with a catalog of qualities like this. He would own the concentration of a Trappist monk, the organizational ability of a Prussian field marshal, the insight into human relations of a Viennese psychologist, the discipline of a man who prints the Lord's Prayer on the head of a pin, the exquisite sense of timing of an Olympic gymnast, and by the way, a natural instinct and flair for exceptional use of language.
Risk is at the heart of jazz. Every note we play is a risk.
In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.
Who knows if the moon's / a balloon, coming out of a keen city / in the sky - filled with pretty people?
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