Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
Norman MailerRead
Over-certified adjectives are the mark of most best-seller writing
Interpretation
Excessive use of overblown descriptors is common in popular writing.
Norman Mailer's quote highlights a tendency in best-selling literature to rely on exaggerated adjectives to draw attention and sell books. This practice can undermine the integrity of writing by prioritizing sensationalism over substance, suggesting that many commercially successful works may be less about genuine artistry and more about catering to commercial demands.
In practice
During a writer's workshop, one might use this quote to illustrate the pitfalls of striving for best-seller status over authentic storytelling.
Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
I no longer gave a sick dog's drop for the wisdom, the reliability and the authority of the public's literary mind, those creeps and old ladies of vested reviewing.
There's nothing glorious about being a professional. . . . Professionalism probably comes down to being able to work on a bad day.
The natural role of twentieth-century man is anxiety.
At bottom, I mean profoundly at bottom, the FBI has nothing to do with Communism, it has nothing to do with catching criminals, it has nothing to do with the Mafia, the syndicate, it has nothing to do with trust-busting, it has nothing to do with interstate commerce, it has nothing to do with anything but serving as a church for the mediocre. A high church for the true mediocre.
Alimony is the curse of the writing class.
When I think of the books I love, there's always a little laughter in the dark.
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
He didn't want to please his readers. He wanted to stretch them until they twanged.
If we can't stamp out literature in the country, we can at least stop its being brought in from outside.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
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