After all, damn it, what does being in love mean if you can't trust a person.
Evelyn WaughRead
If we can't stamp out literature in the country, we can at least stop its being brought in from outside.
Interpretation
The quote suggests an attempt to control literature within a country while resisting external influences.
Evelyn Waugh's quote reflects a concern over the impact of foreign literature on a national cultural identity. It implies that if a government or society cannot entirely eliminate literature that it disagrees with, it can at least make efforts to prevent external influences from permeating its own literary landscape, highlighting the ongoing tension between censorship and cultural exchange.
In practice
In a discussion about the importance of protecting local culture during a literature festival.
After all, damn it, what does being in love mean if you can't trust a person.
It is a curious thing... that every creed promises a paradise which will be absolutely uninhabitable for anyone of civilized taste.
There are no poetic ideas; only poetic utterances.
Punctuality is the virtue of the bored.
...she had regained what I thought she had lost forever, the magical sadness which had drawn me to her, the thwarted look that had seemed to say, "Surely I was made for some other purpose than this?
That was the change in her from ten years ago; that, indeed, was her reward, this haunting, magical sadness which spoke straight to the heart and struck silence; it was the completion of her beauty.
The profession of book writing makes horse racing seem like a solid, stable business.
The shapes arranged themselves into words, and the words spelled out a delicious and wonderful phrase: Once upon a time.
Literature got me into this mess and literature is going to have to get me out of it.
There are three difficulties in authorship;-to write any thing worth the publishing-to find honest men to publish it -and to get sensible men to read it. Literature has now become a game; in which the Booksellers are the Kings; The Critics the Knaves; the Public, the Pack; and the poor Author, the mere table, or the Thing played upon.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
Reduced... to a crude formula, the Russian tragedy is precisely the tragedy of a society in which literature turned out to be the prerogative of the minority.
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