Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Aestheticism is a search after the signs of the beautiful. It is the science of the beautiful through which men seek the correlation of the arts. It is, to speak more exactly, the search after the secret of life.
Interpretation
Aestheticism values beauty and seeks to understand its connection to life and the arts.
In this quote, Oscar Wilde discusses aestheticism as a pursuit of understanding beauty and its relationship with different forms of art. He suggests that this exploration is not just about superficial beauty, but ties deeply into the search for meaning and the essence of existence itself.
In practice
In a speech about the importance of art in society, one could quote Wilde to emphasize the deep connections between beauty and our understanding of life.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Picture and sculpture are the celebrations and festivities of form.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself - as a vocation and an elevation almost.
The ultimate point of a piece for me is that it drives the next one. Does it open new doors? That's the success of a piece.
While photography is the easiest medium in which to be competent, it is the hardest in which to develop an idiosyncratic personal vision.
Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.
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