Never boss people around. It's more important to click with people than to click the shutter.
Alfred EisenstaedtRead
I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.
Interpretation
The quote emphasizes the beauty of natural lighting in photography for capturing authentic and flattering portraits.
Alfred Eisenstaedt's quote suggests that natural light, particularly in the style reminiscent of Rembrandt, enhances the quality of photography by revealing the natural contours and expressions of the subject's face. This approach creates a more genuine and engaging portrait, as it highlights the subject's true essence and character through subtle variations in light and shadow.
In practice
This quote would be perfect for a photography workshop focusing on natural light techniques.
Never boss people around. It's more important to click with people than to click the shutter.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.
Retire? Retire from What? Life? I will only retire when I am dead!
People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!
Yes, I sold buttons to earn living. But I took pictures to keep on living. Pictures are my life – as necessary as eating or breathing.
There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
What I really like is an intelligent review. It doesn't have to be positive. A review that has some kind of insight, and sometimes people say something that's startling or is so poignant.
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
I've spent so much of my life examining the smallest details. In some ways, it's where I feel most at home. For me, it's super-important to understand all of the different nuances of light and shade. But if you can't paint in primary colours, no one's going to listen to your songs, because they need to feel like something.
Art is going to make a bigger comeback than ever. That's the upside to things getting challenging.
In truth, I never consider the audience for whom I'm writing. I just write what I want to write.
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