A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
Mike NicholsRead
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
Interpretation
As a film director, one carries the burden of translating their unique vision into a visual narrative, often in solitude.
Mike Nichols emphasizes the solitary nature of directing films, where the director must rely on their own interpretation and vision to convey a story visually. This process can be isolating, as the director is the only one fully aware of the film as it exists in their mind, and they must find a way to communicate that vision through the medium of cinema.
In practice
During a film workshop, you might say, 'As Mike Nichols said, a director is essentially alone in their vision.'
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
There’s nothing better than discovering, to your own astonishment, what you’re meant to do. It’s like falling in love.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
The thing about being an outsider... is that it teaches you to hear what people are thinking because you're constantly looking for the people who just don't give a damn.
I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things.
Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.'
You don't have to know anything about a subject as long as you use common sense and imagination, plus enthusiasm! I use all periods of design in my work, for, after all, decorative styles are simply indications of a manner of living.
Simple ingredients, treated with respect... put them together and you will always have a great dish.
I think it's our job to write about what we're going through at the moment, and being 41, I'm not going to write about the same things I wrote about at 20. I don't think artists should be farmed out to pasture just because they're in rock n' roll.
There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant . . . . The good dialogue writer is the one who can give you the impression of real speech.
We Orientals find beauty not only in the thing itself but in the pattern of the shadows, the light and darkness which that thing provides.
I don't do fashion, I'm fashion
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