I never got into making documentaries for any kind of success, because documentary careers are generally ones of prolonged failures.
Morgan NevilleRead
I always tell aspiring documentary filmmakers, 'You have to go into it because you love it; if you go into it for the money, you're an idiot.' The number one prerequisite is you have to be intensely curious. If you love learning and trying to make people figure out what makes people tick, it's the best job in the world.
Interpretation
Pursuing documentary filmmaking should stem from passion and curiosity rather than financial gain.
Morgan Neville emphasizes the importance of love and curiosity in the field of documentary filmmaking. He warns that those who seek this path primarily for monetary rewards are misguided, as the true essence of the craft lies in a genuine desire to explore and understand the complexities of human nature.
In practice
In a speech at a film school graduation, this quote can inspire new filmmakers to follow their passion.
I never got into making documentaries for any kind of success, because documentary careers are generally ones of prolonged failures.
When you come to documentaries, the stakes are too low for it to be cutthroat. You're all doing it for the right reasons.
There was no model how to make a documentary production company work. I figured it out as I went along.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
There are those who write because they believe they have something so marvelous that it will make them famous and wealthy, a lauded commodity who will be invited to a lifetime of cocktail parties.
I lived for 15 years in Los Angeles, and I still can't believe that the handsomest man in the world, Cary Grant, and the greatest performer in the world, Fred Astaire, and Johnny Carson, one after another - they were all in my home at different times. I celebrated my 50th birthday with them. Unforgettable.
The artist must be in his work as God is in creation, invisible and all-powerful; one must sense him everywhere but never see him.
People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
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