They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
Edith WhartonRead
In our hurried world too little value is attached to the part of the connoisseur and dilettante.
Interpretation
The quote laments the lack of appreciation for those who have a refined taste and passion for the arts in our fast-paced society.
Edith Wharton highlights a societal trend where the roles of connoisseurs—those who appreciate and understand the finer details of art and culture—and dilettantes—those who engage casually with the arts—are undervalued. In today's hurried world, the deep appreciation for art, beauty, and culture is often overlooked, suggesting that a more thoughtful approach to the arts can enrich our lives and society as a whole.
In practice
During an art gallery opening, a speaker could use the quote to emphasize the importance of appreciating art's nuances.
They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
They seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods
Set wide the window. Let me drink the day.
And I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, & consequently suggests more tugging, & pain, & diversified elements of misery, than the marriage tie.
As he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. 'After that I suppose we shall have pretty nearly finished rubbing off each other’s angles,' he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep
There are two ways to spread happiness; either be the light who shines it or be the mirror who reflects it.
To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.
Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
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