Laugh at yourself, but don't ever aim your doubt at yourself. Be bold. When you embark for strange places, don't leave any of yourself safely on shore. Have the nerve to go into unexplored territory.
Alan AldaRead
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
Interpretation
The quote expresses the desire for recognition in one's craft, whether it be acting or writing.
Alan Alda emphasizes the importance of being recognized for one's skills and dedication in specific creative pursuits. He highlights that his identity as an artist fluctuates between his roles as an actor and a writer, and he seeks validation and appreciation in each discipline separately.
In practice
During an awards ceremony, one might quote this to highlight the importance of artistic recognition.
Laugh at yourself, but don't ever aim your doubt at yourself. Be bold. When you embark for strange places, don't leave any of yourself safely on shore. Have the nerve to go into unexplored territory.
Begin challenging your own assumptions. Your assumptions are your windows on the world. Scrub them off every once in awhile, or the light won't come in.
Laugh at yourself, but don't ever aim your doubt at yourself.
Here's my Golden Rule for a tarnished age: Be fair with others, but keep after them until they're fair with you.
If you know what you're looking for, that's all you'll get - what's previously known. But when you're open to what's possible, you get something new - that's creativity.
I found I wasn't asking good enough questions because I assumed I knew something. I would box them into a corner with a badly formed question, and they didn't know how to get out of it. Now, I let them take me through it step by step, and I listen.
Fortunately art is a community effort - a small but select community living in a spiritualized world endeavoring to interpret the wars and the solitudes of the flesh.
When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
I can write a poem in 10 minutes. I like writing songs; I can write songs in 5 or 10 minutes. My concentration seems very short.
One begins by plaguing oneself to no purpose in order to be true to nature, and one concludes by working quietly from one's own palette alone, and then nature is the result.
And as a writer now, I want to save Linda's life. Not her body--her life.
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