Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
Leila SlimaniRead
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
Interpretation
Writing offers the freedom to transcend personal identity and reshape reality.
In this quote, Leila Slimani expresses how writing serves as an escape from the labels and restrictions imposed by her identity as a woman, a Muslim, and a Moroccan. Through the act of writing, she finds the liberty to redefine herself and her surroundings, showcasing the transformative power of creativity and self-expression.
In practice
In a speech about the importance of creative freedom, this quote can illustrate how art transcends identity.
Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
I remember that the first time I looked at my son, of course I felt love. But I think the first feeling was not love: it was fear. Someone is needing me. If something happens to him, what am I going to do? Maybe I won't survive if something happens to him? The fear was as big as the love.
One of the big mistakes of the Moroccan elite and the elite in the Muslim world was to be afraid of the conservatives. They are fighting for their ideas. Why shouldn't we fight for our ideas?
I, too, am interested in identity and Islam, which is what people expect of us. But one must not write what is expected. It's important for North African writers to show they have other things to say.
In Morocco, there is an insistence on authority. Children are not encouraged to speak up in front of their parents. My parents were not like this. I was the kind of girl who could tell her father, 'No, what you are saying is totally untrue, and I don't agree with you.'
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life.
To be an artist you have to give up everything, including the desire to be a good artist.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
As to the pure mind all things are pure, so to the poetic mind all things are poetical.
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'
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