Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
Leila SlimaniRead
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
Interpretation
Writing offers the freedom to transcend personal identity and reshape reality.
In this quote, Leila Slimani expresses how writing serves as an escape from the labels and restrictions imposed by her identity as a woman, a Muslim, and a Moroccan. Through the act of writing, she finds the liberty to redefine herself and her surroundings, showcasing the transformative power of creativity and self-expression.
In practice
In a speech about the importance of creative freedom, this quote can illustrate how art transcends identity.
Authorities in Rabat believe that if we create a Moroccan character, even in a work of fiction, we are responsible for the image of Moroccan women.
I remember that the first time I looked at my son, of course I felt love. But I think the first feeling was not love: it was fear. Someone is needing me. If something happens to him, what am I going to do? Maybe I won't survive if something happens to him? The fear was as big as the love.
One of the big mistakes of the Moroccan elite and the elite in the Muslim world was to be afraid of the conservatives. They are fighting for their ideas. Why shouldn't we fight for our ideas?
I, too, am interested in identity and Islam, which is what people expect of us. But one must not write what is expected. It's important for North African writers to show they have other things to say.
In Morocco, there is an insistence on authority. Children are not encouraged to speak up in front of their parents. My parents were not like this. I was the kind of girl who could tell her father, 'No, what you are saying is totally untrue, and I don't agree with you.'
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
The reasons that drive me to write are many and the most important are the most secret, I think. Perhaps most of all this: to put something out of death's reach.
To make music means to express human intelligence by sonic means. This is intelligence in its broadest sense, which includes not only the peregrinations of pure logic but also the "logic" of emotions and intuition. My musical techniques, although often rigorous in their internal structure, leave many openings through which the most complex and mysterious factors of the intelligence may penetrate.
I've always thought that whether I'm writing or not, I've gotta pick the best songs, whether or not they're mine. I'm not gonna sing them just because I wrote them. I've gotta find the best songs to make the best record I can.
As an artist, you are always striving toward an ultimate achievement but never seem to reach it. You shoot a film, and the result could have always been better. You try again, and fail once more. In some ways I find it enjoyable. You never lose sight of your goal. I don’t do my job to make money or to break box office records, I simply try things out. What would happen if I were to achieve perfection at some point? What would I do then?
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
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