When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Tom WaitsRead
I always had a great appreciation for jazz, but I'm a very pedestrian musician. I get by. I like to think that my main instrument is vocabulary.
Interpretation
Tom Waits highlights his love for jazz despite not being an accomplished musician, indicating that he values words as his primary means of expression.
In this quote, Tom Waits expresses his deep admiration for jazz music while humbly acknowledging his limitations as a musician. He suggests that while he may not excel at playing musical instruments, he finds strength and creativity in language, implying that vocabulary is his true instrument. This reflects a broader idea about the different ways individuals can express themselves artistically, whether through music or words.
In practice
In a creative writing workshop to inspire participants about the power of words.
When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it, you got yourself a bad year. Take it from me - choke those little bad days. Choke 'em down to nothing.
My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home Iβd rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make βem grow
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
I don't know why so many artists talk about the mainstream's problems from the fringe. I think, unfortunately, it's almost like our education makes us too safe and terrified to step into the world.
In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
There is a twinge of abandonment that comes with being a member of the African Diaspora. But 'Black Panther' fearlessly introduces and then complicates this and other deeply held albeit rarely expressed emotions; that indeed is what makes this film so profoundly innovative.
In the theatre we reach out and touch the past through literature, history and memory so that we might receive and relive significant and relevant human qualities in the present and then pass them on to future generations.
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