There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards.
Interpretation
The quote speaks to the enduring impact of slavery and societal obsessions with differences, while expressing hope for a nation that can aspire to better standards.
Kehinde Wiley's quote addresses the complex legacy of chattel slavery in America and the ongoing fixation on racial and gender differences that stem from it. However, it also conveys a sense of optimism, suggesting that despite these historical challenges, the nation possesses the potential to establish and strive towards more equitable and just standards that promote unity and understanding among its diverse populace.
In practice
In a speech addressing diversity and inclusion efforts.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
Chile has done a lot to rid itself of poverty, especially extreme poverty, since the return to democracy. But we still have a ways to go toward greater equity. This country does not have a neoliberal economic model anymore. We have put in place a lot of policies that will ensure that economic growth goes hand in hand with social justice.
Like the other great revolutions, an environmental revolution will require sacrifices and lead to enormous gains. It, too, will change the face of the land and human institutions, hierarchies, self-definitions, cultures. It will take centuries. If it happens. There is no guarantee, of course.
The only permanent and constructive changes you can make in the world are the changes that you make in yourself.
It is hard to let old beliefs go. They are familiar. We are comfortable with them and have spent years building systems and developing habits that depend on them. Like a man who has worn eyeglasses so long that he forgets he has them on, we forget that the world looks to us the way it does because we have become used to seeing it that way through a particular set of lenses. Today, however, we need new lenses. And we need to throw the old ones away.
We will respond to the threat of climate change, knowing that the failure to do so would betray our children and future generations
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