There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
Interpretation
Portraiture is about self-representation and individuality in the context of societal recognition.
Kehinde Wiley's quote emphasizes the significance of personal choice and agency in portraiture. It suggests that art, specifically portraiture, is a powerful tool for individuals to assert their identity and presence in the world, allowing them to be celebrated on their own terms rather than conforming to external expectations or societal norms.
In practice
In a discussion about personal expression in art, this quote could highlight the importance of depicting oneself authentically.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.
Sometimes when you're heavy into the shooting or editing of a picture, you get to the point where you don't know if you could ever do it again.
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
The good critic is he who relates the adventures of his soul among masterpieces.
At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.
I have always liked drawing, when you draw you see things more intensely.
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