When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Tom WaitsRead
I always thought songs are movies for the ears and films are like songs for the eyes.
Interpretation
This quote suggests a deep connection between music and film, highlighting their unique yet complementary ways of storytelling.
Tom Waits' quote reflects on the relationship between music and film, suggesting that each medium conveys emotions and narratives in ways that resonate with the senses. By describing songs as 'movies for the ears' and films as 'songs for the eyes', he emphasizes the artistic synergy between these forms of expression, inviting us to appreciate their distinct yet overlapping impacts on our perceptions and feelings.
In practice
During a film discussion, this quote could illustrate the connection between audiovisual storytelling.
When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it, you got yourself a bad year. Take it from me - choke those little bad days. Choke 'em down to nothing.
My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home Iβd rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make βem grow
If I don't fall in love with my characters, I cannot shoot.
I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
Sometimes I sound like gravel, and sometimes I sound like coffee and cream.
I hate the idea of theatre just being an evening pastime. It should be emotionally and intellectually demanding. I love football. The level of analysis that you listen to on the terraces is astonishing. If people did that in the theatre... but they don't. They expect to sit back and not participate.
Subscribe for the occasional hand-picked quote. No noise.