I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
George A. RomeroRead
My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
Interpretation
The quote emphasizes the importance of conveying messages through films rather than focusing solely on horror or gore.
George A. Romero expresses that his filmmaking is driven by a desire to communicate deeper messages rather than just to shock or scare audiences with graphic content. For him, the emotional and thematic resonance of his work is paramount, using the medium as a platform to share his thoughts and feelings about society and humanity.
In practice
During a film festival panel discussing the significance of storytelling in cinema.
I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
I've always felt that the real horror is next door to us, that the scariest monsters are our neighbors.
I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.
There aren't that many monsters. It's very hard to create a new monster.
I am apparently gentle, unstable, and full of pretenses. I will die a poet killed by the nonpoets, will renounce no dream, resign myself to no ugliness, accept nothing of the world but the one I made myself. I wrote, lived, loved like Don Quixote, and on the day of my death I will say: βExcuse me, it was all a dream,β and by that time I may have found one who will say: βNot at all, it was true, absolutely true.β
The thing to judge in any jazz artist is, does the man project and does he have ideas.
I never got into making documentaries for any kind of success, because documentary careers are generally ones of prolonged failures.
Writing, real writing, should leave a small sweet bruise somewhere on the writer . . . and on the reader.
But me writing sad songs doesn't mean I am a sad person.
You know, be an actor because you love to act. Don't be an actor because you think you're going to get famous, because that's luck.
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