You always hear these stories of how Hollywood is so merciless on composers and how they all get beaten up. Nobody beats me up as much as I beat myself up. This is what I love doing and I have one life to do it in, and I better do it right. I better do it well.
Interpretation
The quote expresses the idea that self-criticism can be more intense than external criticism, highlighting the passion for one's craft.
In this quote, Hans Zimmer reflects on the relentless nature of self-expectation and the pressure he places on himself as a composer. Despite acknowledging the harsh realities of the Hollywood music industry, he emphasizes his love for the art and the urgency to excel in his work since life offers limited opportunities to achieve greatness.
In practice
This quote could be used during a motivational speech for artists to encourage them to pursue their passion diligently.
The thing that hasn't changed, and I don't think will ever change, is that the operative word in music is "play." You have to have a playfulness about it. As the world shifts, it's starting to understand more and more that to have a playfulness about any and everything is actually the way of having a better life, or being more creative, or being more productive.
Anything can become a musical sound. The wind on telegraph wires is a great sound; get it into your machine and play it and it becomes interesting.
What's the point of getting up in the morning unless you're gonna have an adventure? As the moments of our life are ticking away you have to be aware that it needs to be an adventure
Trust me, if you're working on a $70 million movie and you're the last guy, you feel all that weight on your shoulders.
I've spent my life trying to make things simpler. Because I find ultimately that complicated doesn't reach the heart.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
Poetry has been to me its own exceeding great reward; it has given me the habit of wishing to discover the good and beautiful in all that meets and surrounds me.
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.
Nudity has never seemed to bother Grace Jones. Her art has thrived, in part, on a physical candor that both shocked people and redrew the boundaries of taste, beauty, and eroticism around her masculinity, ebony skin, and unrelenting intensity.
Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
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