When people say that moviegoing is dead, I go, 'OK, so the makers of 'Get Out' should've sold that movie to a platform? Then they don't have this insane, crazy success theatrically all over the world.'
Steven SoderberghRead
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
Interpretation
Filmmakers value creative freedom and consistent opportunities over financial gain alone.
This quote highlights the deep appreciation that filmmakers have for the ability to work continuously on their projects and to express their artistic vision, suggesting that creative fulfillment and stability are often more desirable than purely financial compensation. Steven Soderbergh emphasizes that if guaranteed a modest income along with the freedom to create, many in the film industry would gladly accept such an arrangement.
In practice
In a speech about creative careers, you might reference this quote to underline the importance of consistent work opportunities.
When people say that moviegoing is dead, I go, 'OK, so the makers of 'Get Out' should've sold that movie to a platform? Then they don't have this insane, crazy success theatrically all over the world.'
I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.
A success, to me, is the ability to keep working. That's success. It has nothing to do with money; it's the ability to keep getting things made, period.
You don't go make 'Schizopolis' if you're trying to protect some idea of yourself as a filmmaker.
It’s not a lie. It’s a gift for fiction.
There's so little representation of people who look like me behind the camera that it makes you want to say yes to any opportunity out of desperation. It puts you in a situation where you can't make your best work. Diversity for cheap.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
When the world becomes a massive mess with nobody at the helm, it's time for artists to make their mark.
Growing up, I never gave a thought to being a writer. All I ever wanted to be was a traveler and explorer. Science-fiction allowed me to go places that were otherwise inaccessible, which is why I started reading it.
The poets who have written the best poems about war seem to be the poets whose countries have experienced an invasion or vicious dictatorships.
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