Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being.
Paul De ManRead
The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Interpretation
Writing is a complex process that can be seen both as a creative act and as a form of interpretation, which can often conflict.
In this quote, Paul De Man highlights the duality inherent in the act of writing. He suggests that writing is not merely a straightforward act of expression; it involves a subsequent interpretive process that reflects back on the initial act. This intrinsic ambivalence leads writing to both reinforce and contradict its own essence, ultimately revealing the complexities and tensions within artistic creation.
In practice
In a seminar on literary theory, discussing the dual nature of writing.
I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.
What we want from art is whatever is missing from the lives we are already living and making. Something is always missing, and so art-making is endless.
When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.
I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk.
Fine music without devotion is but a splendid garment upon a corpse.
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