We Americans are childish about our celebrities and icons. We worship, then we denounce; we identify passionately with them and then, if they do something - anything - we dislike, we cast them off.
Interpretation
The quote reflects how Americans have an inconsistent and often superficial relationship with their celebrities, idolizing them only to quickly turn against them.
Margo Jefferson's quote comments on the fickle nature of public admiration in American culture, highlighting a cycle of adoration and repudiation towards celebrities and icons. It suggests that Americans often elevate public figures to a pedestal, forming intense emotional connections, yet when those figures falter or behave in ways that displeases the public, they are rapidly discarded and criticized. This behavior indicates a deeper commentary on societal values and the ephemeral nature of fame, which can be brutally mercurial.
In practice
In a discussion about the changing nature of celebrity culture on social media.
We talk about how we think, believe, suspect Michael Jackson treats children. We don't talk about how WE treat child stars. Child stars are abused by the culture. And what's more treacherous than when the rewards of child stardom issue from the abuse?_x000D_ Child stars are performers above all else. Whenever their triumps, they are going to make sure we see everyone of their scars. That's the final price of admission.
I think it's too easy to recount your unhappy memories when you write about yourself. You bask in your own innocence. You revere your grief. You arrange your angers at their most becoming angles.
So much of what blacks and women contend with is centered in how we view, and how the world views, our bodies. Gestures, voices, affect.
Depression is so treacherous - it can be so alluring as well as punishing. After all, it's yours and yours alone - no one else can interfere with it.
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
Black Power was really a major challenge to the social privileges and structures of the kind of privilege that I had grown up with. That whole belief... that you will only be able to advance if you are perfectly behaved, if you present yourself as what white people would consider an ideal of whiteness... all of that just began to burst open.
The Scythians take kannabis seed, creep in under the felts, and throw it on the red-hot stones. It smolders and sends up such billows of steam-smoke that no Greek vapor bath can surpass it. The Scythians howl with joy in these vapor-baths, which serve them instead of bathing, for they never wash their bodies with water.
I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa - the economic poverty, the corruption - there's a joy to living and a happiness in community, living together, in community life, which may be missing here in America.
I've lived all over the world, but Harlem is very special to me, and when I decided to open a restaurant near my home, I didn't want it to be business as usual.
People ask me in Europe, when they do interviews... they ask me, 'Well, how does it feel to be a cook in a country that doesn't know how to eat?' It always touches a nerve, because Europe and the world think that America is no more than bad hot dogs and bad burgers.
Before the advent of the white man, black people were doing all kinds of things with their hair. The rejection of kinks and curls did come with the white man.
Culture is an elevated expression of the inner voice which the different peoples of the Earth have heard in the depths of their being, a voice which conveys the vibrant compassion and wisdom of the cosmic life. For different cultures to engage in interaction is to catalyze each other's souls and foster mutual understanding.
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