We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
I hope you will understand that architecture has nothing to do with the inventions of forms. It is not a playground for children, young or old. Architecture is the real battleground of the spirit.
Interpretation
Architecture transcends mere forms; it symbolizes deeper spiritual struggles.
In this quote, Ludwig Mies Van Der Rohe emphasizes that architecture is not merely about the shapes or physical structures we create. Rather, it represents a profound battle of ideals and spirits, highlighting the significance of purpose and intention behind architectural design, beyond mere aesthetic or playful pursuits.
In practice
During a presentation on architectural philosophy.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
All great composers of the past spent most of their time studying. Feeling alone won't do the job. A man also needs technique.
Art is the triumph over chaos.
The sources of poetry are in the spirit seeking completeness.
A concert is not a live rendition of our album. It's a theatrical event.
My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
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