I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
George A. RomeroRead
There aren't that many monsters. It's very hard to create a new monster.
Interpretation
Creating something truly unique or frightening is a difficult task.
This quote by George A. Romero reflects on the challenge of originality in the realm of creativity. While there may be many representations of 'monsters' in popular culture, the process of truly innovating or creating a new and impactful 'monster'—whether literal or metaphorical—requires significant effort and originality, suggesting that true creativity stands apart from mere repetition or imitation.
In practice
In a speech about the creative process, one might say, 'As George A. Romero once noted, there aren't that many monsters, highlighting the challenge of true originality in art.'
I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
I've always felt that the real horror is next door to us, that the scariest monsters are our neighbors.
My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.
He that takes truth for his guide, and duty for his end, may safely trust to God's providence to lead him aright.
You're not what you have and you're not what you do; you're aninfinite, divine being disguised as a successful person who has accumulated a certain amount of stuff. The stuff is not you. For that reason, you must avoid being attached to it in any way.
I am seized with an abiding fear regarding what these two instruments are doing to our society, our culture and our heritage. Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or color, evidence of decadence, escapism and insulation from the realities of the world in which we live.
Heaven wheels above you, displaying to you her eternal glories, and still your eyes are on the ground.
Time has no meaning in itself unless we choose to give it significance
Better use has been made of association and this powerful instrument of action has been applied for more varied aims in America than anywhere else in the world.
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