Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.
Edvard MunchRead
I do not believe in the art which is not the compulsive result of man's urge to open his heart
Interpretation
True art is driven by the deep emotions and authenticity of the artist.
In this quote, Edvard Munch emphasizes that genuine art emerges from the artist's profound emotional experiences and innate desire to express their innermost feelings. He suggests that art is not merely a technical execution but rather a heartfelt outpouring that reflects the artist's soul and humanity.
In practice
Referencing this quote at an art exhibition to emphasize the emotional connection behind the artwork.
Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.
I donβt believe in an art that is not born out of manβs need to open his heart.
Through my art I have tried to explain my life and its meaning. I have also intended to help others to clarify their lives.
My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
From my rotting body, flowers shall grow and I am in them and that is eternity.
Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money.
Fiction is an elemental force, which has the power to shape reality in its own image - or images, I should say - because reality, like light, exists not only as a single point or particle, but also as an array of possibilities.
The war is dreadful. It is the business of the artist to follow it home to the heart of the individual fighters - not to talk in armies and nations and numbers - but to track it home.
Boredom is not an end-product, is comparatively rather an early stage in life and art. You've got to go by or past or through boredom, as through a filter, before the clear product emerges.
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
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