I wanted to deal with light directly rather than with paint.
James TurrellRead
All art is contemporary art because it had to be made when it was now.
Interpretation
Art is rooted in its own time; it reflects the current moment of its creation.
This quote by James Turrell emphasizes that all forms of art are fundamentally tied to the moment in which they were created. Each piece emerges from a specific cultural, social, and historical context, thereby marking it as contemporary to that time, regardless of when it is viewed in the future.
In practice
In an art gallery discussion, one might use this quote to illustrate the relevance of historical context in evaluating art.
I wanted to deal with light directly rather than with paint.
It is only when light is reduced that the pupil opens and feeling goes out of the eyes like touch.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
In many cases, if we knew what it would take, we might have thought twice about it, so it's often wonderful that we don't have hindsight.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, itβs been waiting for you.
Modernity signifies the transitory, the fugitive, the contingent, the half of art of which the other half is the eternal and the immutable.
I don't know what it's like for a book writer or a doctor or a teacher as they work to get established in their jobs, but for a singer, you've got to continue to grow or else you're just like last night's cornbread...stale and dry.
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.
It is a sad truth, but we have lost the faculty of giving lovely names to things.
I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.
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