Ceaseless as the interminable voices of the bell-cricket, all night till dawn my tears flow.
Murasaki ShikibuRead
No art or learning is to be pursued halfheartedly...and any art worth learning will certainly reward more or less generously the effort made to study it.
Interpretation
True mastery in any art or discipline requires full commitment and dedication.
Murasaki Shikibu emphasizes that to truly succeed in any form of art or academic pursuit, one must engage wholeheartedly. The quote suggests that genuine effort and full-hearted dedication in studying an art or skill will yield significant rewards, affirming that sustained commitment enhances one's learning experience and outcomes.
In practice
Motivating students to engage deeply in their studies during a lecture.
Ceaseless as the interminable voices of the bell-cricket, all night till dawn my tears flow.
A night of endless dreams, inconsequent and wild, is this my life; none more worth telling than the rest.
Who has told you that the fruit belies the flower? For the fruit you have not tasted, and the flower you know but by report.
Real things in the darkness seem no realer than dreams.
In few people is discretion stronger than the desire to tell a good story.
The memories of long love gather like drifting snow, poignant as the mandarin ducks who float side by side in sleep.
I've returned to being an amateur without any ties or strings attached, which gives me a freedom I never had before.
I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
Every child is an artist. The problem is how to remain an artist once we grow up.
I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness. I avoided this punishment by destroying them, I thought, and suddenly I took great pleasure in the word destroying.
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
Sometimes it is the artist's task to find out how much music you can still make with what you have left.
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