I do not aspire to be in fashion. For what is in fashion, goes out of fashion _x000D_ If, on the contrary, your work is contested today, it doesn't matter. _x000D_ For when it is finally understood, it will be for eternity.
Constantin BrancusiRead
In art, one does not aim for simplicity; one achieves it unintentionally as one gets closer to the real meaning of things.
Interpretation
True simplicity in art is not a goal but a natural outcome of understanding deeper meanings.
Constantin Brancusi suggests that the goal of artists should not be to create something simple but to delve deeply into the essence of their subject. Through this exploration and understanding, simplicity will emerge as a byproduct of clarity and authenticity rather than a direct aim.
In practice
In a presentation about the importance of artistic expression, this quote can illustrate how depth leads to authentic simplicity.
I do not aspire to be in fashion. For what is in fashion, goes out of fashion _x000D_ If, on the contrary, your work is contested today, it doesn't matter. _x000D_ For when it is finally understood, it will be for eternity.
I ground matter to find the continuous line. And when I realized I could not find it, I stopped, as if an unseen someone had slapped my hands.
They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
Don't look for obscure formulas or mystery in my work. It is pure joy that I offer you. Look at my sculptures until you see them. Those closest to God have seen them.
The work of art expresses precisely those things which do not die. It must do so, however, in a form that bears witness to the artist's own era.
Whoever does not detach himself from the ego never attains the Absolute and never deciphers life.
Fiction is such a world of freedom, it's wonderful. If you want someone to fly, they can fly.
I have not lost any of my crazy, fearless, raw, soulful, eclectic side and I plan on continuing to tell universal stories in an unforgettable way.
Any good story can galvanize a person, make him/her think about things a different way, reassess their own motives and needs, but that's never my intent. That's an unintended consequence of me just trying to entertain, to write what we used to call 'ripping yarns.'
Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel the mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.
I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself.
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