In art, one does not aim for simplicity; one achieves it unintentionally as one gets closer to the real meaning of things.
Constantin BrancusiRead
I do not aspire to be in fashion. For what is in fashion, goes out of fashion _x000D_ If, on the contrary, your work is contested today, it doesn't matter. _x000D_ For when it is finally understood, it will be for eternity.
Interpretation
The quote emphasizes the enduring value of true artistic expression over the fleeting nature of trends.
Constantin Brancusi's quote suggests that instead of chasing transient fashion, one should focus on creating work that withstands the test of time. Art that is initially contested may eventually be appreciated and recognized for its eternal significance, highlighting the importance of authenticity in creative endeavors.
In practice
In a speech about creativity, you might use this quote to encourage artists to remain true to their vision.
In art, one does not aim for simplicity; one achieves it unintentionally as one gets closer to the real meaning of things.
I ground matter to find the continuous line. And when I realized I could not find it, I stopped, as if an unseen someone had slapped my hands.
They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
Don't look for obscure formulas or mystery in my work. It is pure joy that I offer you. Look at my sculptures until you see them. Those closest to God have seen them.
The work of art expresses precisely those things which do not die. It must do so, however, in a form that bears witness to the artist's own era.
Whoever does not detach himself from the ego never attains the Absolute and never deciphers life.
Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul.
I write scenes - often quite long scenes - mainly because I still get seduced into writing six lines where one and a half will do.
I have many books that I want to write; I'd like to think that I'll be around for another 20 years or so and write another dozen novels, probably some sort of imaginative literature... Never again another seven-volume saga.
When I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound.
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
I think the chance of finding beauty is higher if you don't work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the Swiss farmers.
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