The common idea that success spoils people by making them vain, egotistic and self-complacent is erroneous; on the contrary it makes them, for the most part, humble, tolerant and kind.
W. Somerset MaughamRead
Art should be appreciated with passion and violence, not with a tepid, depreciating elegance that fears the censoriousness of a common room.
Interpretation
Art should be experienced with intense emotion rather than with superficial coolness.
W. Somerset Maugham emphasizes that true appreciation of art requires passion and intensity. He criticizes a detached and overly refined approach to art, which he sees as inadequate, suggesting that art provokes strong feelings and should be embraced wholeheartedly, even if that means confronting criticism or societal norms.
In practice
During an art critique, I shared Maugham's view on appreciating art with passion to inspire my classmates.
The common idea that success spoils people by making them vain, egotistic and self-complacent is erroneous; on the contrary it makes them, for the most part, humble, tolerant and kind.
Cronshaw stopped for a moment to drink. He had pondered for twenty years the problem whether he loved liquor because it made him talk or whether he loved conversation because it made him thirsty.
Are you sure you can prevent yourself from falling in love one of these days? Such things do happen, you know, even to the most prudent men.' Simon gave him a strange, one might even have thought a hostile, look. I should tear it out of my heart as I'd wrench out of my mouth a rotten tooth.
I don't think of the past. The only thing that matters is the everlasting present.
The world is quickly bored by the recital of misfortune, and willing avoids the sight of distress.
There in the mist, enormous, majestic, silent and terrible, stood the Great Wall of China. Solitarily, with the indifference of nature herself, it crept up the mountain side and slipped down to the depth of the valley.
It is the job of poetry to clean up our word-clogged reality by creating silences around things.
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
The singers who are the most honest are the ones who become immortalized.
One word is worth a thousand pictures. If it's the right word.
I look around, and 50 percent of the big-budget entertainment you are seeing these days is dystopian. This is the era of 'Hunger Games' and blasted landscapes and 'The Walking Dead.'
Mendelssohn I consider the first musician of the day; I doff my hat to him as my superior. He plays with everything, especially with the grouping of the instruments in the orchestra, but with such ease, delicacy and art, with such mastery throughout.
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